Baoyang CHEN is a creator working between technology and art, and a faculty of the School of Experimental Art at the Central Academy of Fine Arts. He graduated from Columbia University with a master's degree in 2016. His artistic creation comes from his thinking that technology is not just a means of creation - technology is now more like a collaborator for artists. He often modifies existing technologies, not placing them in a product manager's preset application scenarios but combining them with his own creative thinking. He has written and researched on "Technology as Authors". Through the research on the ontology of technology, explore the relationship between technology, artists and the public. His research has been published in conferences and journals such as IJCAI, IEEE, and ACM. His works have been widely exhibited around the globe, and he has held solo exhibitions at Zhejiang Art Museum (Hangzhou, China), K11 Wuhan (Wuhan, China), Cc Art Center (Shanghai, China), TX Art Center (Shanghai, China), Gallery Yang (Beijing, China), Quantum Gallery (Shanghai, China) and Cloud Gallery (New York, USA).
He often modifies existing technologies, not placing them in a product manager's preset application scenarios but combining them with his own creative thinking.
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Artworks
The digital technology represented by artificial intelligence was entrusted with the task and became the seemingly perfect mediator between human beings and the earth. Forgetful people have long forgotten the billowing smoke from the chimney.
This work breaks the boundaries and excels at imbuing creative art with digital technologies, leveraging algorithms to depict the diversity of beauty to explore the connections amongst art, technology and the public.
The title of this work, Do Androids Dream of Electric Cows?, sprang from a dream the artist had in the summer of 2016, in which he dreamt of a neon cyan sign that read above.
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